acrylic on canvas, 42”X40”

acrylic on canvas, 37”X35”

acrylic on canvas, 42”X40”

Acrylic on Arches paper, 30” x 23”

Acrylic on Arches Paper, 23” x 30”

acrylic on canvas, 40”X60”

32"X50" Acrylic on canvas gallery wrap

acrylic on canvas 51" x 38"

acrylic on canvas 42" x 61"

acrylic on canvas 28" x 40"

acrylic on canvas 38" x 38"

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acrylic on paper 11" x 16" | 23" x 27" framed

acrylic 33" x 24.5" | frame 44" x 34"

acrylic on paper 23" x 31" | 35" x 43" framed

1 of 7

Acrylic on Arches paper, image 23 x 30 inches

Archival framing to 33 x 40 inches with natural wood and Pleiglass

2 of 7

Acrylic on Arches paper, image 23 x 30 inches

Archival framing to 33 x 40 inches with natural wood and Pleiglass

3 of 7

Acrylic on Arches paper, image 23 x 30 inches

Archival framing to 33 x 40 inches with natural wood and Pleiglass

4 of 7

Acrylic on Arches paper, image 23 x 30 inches

Archival framing to 33 x 40 inches with natural wood and Pleiglass

5 of 7

Acrylic on Arches paper, image 23 x 30 inches

Archival framing to 33 x 40 inches with natural wood and Pleiglass

6 of 7

Acrylic on Arches paper, image 23 x 30 inches

Archival framing to 33 x 40 inches with natural wood and Pleiglass

7 of 7

Acrylic on Arches paper, image 23 x 30 inches

Archival framing to 33 x 40 inches with natural wood and Pleiglass

1 of 7

acrylic on Arches paper

23"X30"

2 of 7

acrylic on Arches paper

23"X30"

3 of 7

acrylic on Arches paper

23"X30"

4 of 7

acrylic on Arches paper

23"X30"

5of 7

acrylic on Arches paper

23"X30"

6 of 7

acrylic on Arches paper

23"X30"

6 of 7

acrylic on Arches paper

23"X30"

The Free-Form Series adheres to Abstract Expressionist theory of a flat two-dimensional surface eliminating any illusion of depth by staining liquid acrylic into unprimed canvas.  The series began by releasing the canvas from its traditional stretcher and exploring dimensional depth by suspending it with a rod.

Ultimately, folding and shaping the painted canvas, thus squaring the circle, achieved “actual” depth. 

The Free-Form Series adheres to Abstract Expressionist theory of a flat two-dimensional surface eliminating any illusion of depth by staining liquid acrylic into unprimed canvas.  The series began by releasing the canvas from its traditional stretcher and exploring dimensional depth by suspending it with a rod.

Ultimately, folding and shaping the painted canvas, thus squaring the circle, achieved “actual” depth. 

The Free-Form Series adheres to Abstract Expressionist theory of a flat two-dimensional surface eliminating any illusion of depth by staining liquid acrylic into unprimed canvas.  The series began by releasing the canvas from its traditional stretcher and exploring dimensional depth by suspending it with a rod. 

Ultimately, folding and shaping the painted canvas, thus squaring the circle, achieved “actual” depth. 

The Free-Form Series adheres to Abstract Expressionist theory of a flat two-dimensional surface eliminating any illusion of depth by staining liquid acrylic into unprimed canvas.  The series began by releasing the canvas from its traditional stretcher and exploring dimensional depth by suspending it with a rod. 

Ultimately, folding and shaping the painted canvas, thus squaring the circle, achieved “actual” depth. 

The Free-Form Series adheres to Abstract Expressionist theory of a flat two-dimensional surface eliminating any illusion of depth by staining liquid acrylic into unprimed canvas.  The series began by releasing the canvas from its traditional stretcher and exploring dimensional depth by suspending it with a rod.

Ultimately, folding and shaping the painted canvas, thus squaring the circle, achieved “actual” depth. 

The Free-Form Series adheres to Abstract Expressionist theory of a flat two-dimensional surface eliminating any illusion of depth by staining liquid acrylic into unprimed canvas.  The series began by releasing the canvas from its traditional stretcher and exploring dimensional depth by suspending it with a rod. 

Ultimately, folding and shaping the painted canvas, thus squaring the circle, achieved “actual” depth. 

The Free-Form Series adheres to Abstract Expressionist theory of a flat two-dimensional surface eliminating any illusion of depth by staining liquid acrylic into unprimed canvas.  The series began by releasing the canvas from its traditional stretcher and exploring dimensional depth by suspending it with a rod.

Ultimately, folding and shaping the painted canvas, thus squaring the circle, achieved “actual” depth. 

The Free-Form Series adheres to Abstract Expressionist theory of a flat two-dimensional surface eliminating any illusion of depth by staining liquid acrylic into unprimed canvas.  The series began by releasing the canvas from its traditional stretcher and exploring dimensional depth by suspending it with a rod.

Ultimately, folding and shaping the painted canvas, thus squaring the circle, achieved “actual” depth. 

The Free-Form Series adheres to Abstract Expressionist theory of a flat two-dimensional surface eliminating any illusion of depth by staining liquid acrylic into unprimed canvas.  The series began by releasing the canvas from its traditional stretcher and exploring dimensional depth by suspending it with a rod. 

Ultimately, folding and shaping the painted canvas, thus squaring the circle, achieved “actual” depth. 

The Free-Form Series adheres to Abstract Expressionist theory of a flat two-dimensional surface eliminating any illusion of depth by staining liquid acrylic into unprimed canvas.  The series began by releasing the canvas from its traditional stretcher and exploring dimensional depth by suspending it with a rod. 

Ultimately, folding and shaping the painted canvas, thus squaring the circle, achieved “actual” depth. 

The Free-Form Series adheres to Abstract Expressionist theory of a flat two-dimensional surface eliminating any illusion of depth by staining liquid acrylic into unprimed canvas.  The series began by releasing the canvas from its traditional stretcher and exploring dimensional depth by suspending it with a rod.

Ultimately, folding and shaping the painted canvas, thus squaring the circle, achieved “actual” depth. 

The Free-Form Series adheres to Abstract Expressionist theory of a flat two-dimensional surface eliminating any illusion of depth by staining liquid acrylic into unprimed canvas.  The series began by releasing the canvas from its traditional stretcher and exploring dimensional depth by suspending it with a rod. 

Ultimately, folding and shaping the painted canvas, thus squaring the circle, achieved “actual” depth.